A modern villa in the dry Portuguese summer landscape. The sun scorching bright high in the sky, four well-built bodies - three male, one female - hanging out by the pool, on the porch, in the bedrooms. All seem to be waiting for something, or as it soon turns out - someone. Scene by scene we are revealed the complex interpersonal relations and the most important, the relation of all the characters with the one who is being waited for. Who is that mythical person and what will happen when he finally arrives?
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
Fiction doesn't have to be the model for how our real-life pandemic plays out. Here's how we can avoid the dangers shown in "Contagion."
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.
