Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Struggling to deal with Martin’s disappearance, Duy resorts to anonymous hook-ups to escape the emptiness. He spends sleepless nights wandering around the city meeting strangers online hoping to find love, form a connection – anything to help him forget Martin. But the nightly ventures take Duy to darker places than he could ever imagine.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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