'Hawkeye' Episode 4 Review: Things Just Got Real
In episode 4 of 'Hawkeye,' things are getting real, from a mystery surrounding a Rolex watch to hints at a certain "big guy" to the reveal of [SPOILER].

Reiko Sasori, Boss of the Starlight Squids is released from jail after a sentence for an attempt on Boss Muraco's life, She meets up with her sisters and returns to her previous life as Sukeban, but sees that things have changed in her absence. Reiko's girlfriend from jail is released and joins her in her new life...but what part does she play in the puzzle? Will happiness prevail or will Reiko never forget a grudge?
In episode 4 of 'Hawkeye,' things are getting real, from a mystery surrounding a Rolex watch to hints at a certain "big guy" to the reveal of [SPOILER].
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
Falling in love with 'Rocketman" all over again.