
Durga and Vikram Singh have been married for years. Vikram has taken to crime in a big way, and as a result has antagonized a rival gangster, Jaggi. Durga gives birth to twins, and Jaggi steals one of them, and sells him to a bootlegger, Pascal. Durga is upset when she finds her son missing, but is devastated when Vikram abandons her. With a lot of difficulty, Durga brings up her son, Kishan, and has given up on finding her other son. Kishan has grown up and is now a dedicated police officer. On the other hand, Pascal has exploited Amit, kept him illiterate, doing petty crime, and alcoholic. This gets him in confrontation with Kishan, but ironically the two settle their differences and become fast friends. Vikram is still alive, and is not aware of his two sons and wife being alive.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
A family drama is woven with quiet yet powerful forces of words and nature.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.