Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

In a middle school on the northern outskirts of Naples, a teenager roughly fifteen years old appears before the examiners to earn his diploma. The professors are as skeptical as can be expected about a student who has repeated the year more than once, but the boy isn't intimidated and delivers his oral report about history, his own personal history, marred by a tragedy, and then moves on to discuss the human body and the sculpture The Veiled Christ. The teachers hear him out in silence; a passing grade is all he asks for. The film was conceived and produced as part of a film production course at Vodisca Teatro / La Scugnizzeria held by Gianluca Arcopinto and Vincenzo Marra.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
This fantasy movie released on Disney+ has strong topics and themes related to magic.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.