It's 'A Loud House Christmas'!
This holiday movie serves as the prequel to the TV series The Really Loud House.

For Ursula Gothe, the wife of the up-and-coming engineer Dr. Richard Gothe, life in the post-war period is finally back on track. That changes when she rediscovers her daughter Martina, who she thought was dead, in a wanted ad. Ursula is stunned with joy, but also very scared: the girl is from a man she met during the war, before her time with Richard. Now Richard is about to be promoted to factory manager and does not want to be discredited because of an illegitimate child.
This holiday movie serves as the prequel to the TV series The Really Loud House.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.
YouTube surpasses Netflix but there is more to the story.
The trainwreck is hot but tame.