'INTERNET' - MiamisFF Review
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.

Poledna's 35mm work Substance, contemplates the material properties and frames of vision of a highly recognizable luxury commodity in a series of extremely close-range and slow tracking shots. A portrait as well as a moving-image still life of heritage-brand golden watch, the film’s modes of representation oscillate throughout thus undermining any stable point of view. The film’s sound is comprised of an re-edit, referring to the practice in popular music of distilling, extracting and repeating elements of an existing track in order to maximize its use value, typically for a dance setting.
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.