Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

A handmade narco sub is on the verge of sinking and losing its precious cargo due to a mechanical failure. The three crew members are forced to open the forbidden cargo cabin to distribute the weight and save the ship. Next to the cargo they find a special “gift“ for the buyer: a young girl, gagged and in terrible shape. The boat, barely big enough for three to begin with, becomes a steaming powder cake of fears, desires and greed.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
The heroes of the Mushroom Kingdom make their way to the big screen in this animated movie.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.