3 episodes set in Monte Carlo. In the first one a priest is compelled to become the lover of a princess. In the second, a con woman tries to cheat an insurance man. In the third, a man has to deal with his wife's suicidal attempts.
Sergio Corbucci
Director
Paolo Villaggio
Attilio Carbone (1° episodio)
Serena Grandi
Dora (1° episodio)
Lino Banfi
Aldo Petruzzelli (2° episodio)
Laura Antonelli
Mapi Petruzzell (2° episodio)
Renato Pozzetto
Don Vittorino
Francesca Dellera
Principessa Topazia (2° episodio)
Maurizio Micheli
Guidobaldo (1° episodio)
Aldo Ralli
direttore dell'assicurazione (1° episodio)
Milena Vukotić
la dottoressa amica di Mapi (2° episodio)
Maurizio Fabbri
Napoleone (2° episodio)
Claudia Gerini
'Mucci' Petruzzelli, figlia di Petruzzelli (2° episodio)
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.
"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.