Ström 

Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.

It’s dark, uncomfortable, and there are things that don’t make sense.

It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.

Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.

The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.

“Eleanor The Great” is a feel-good story that explores how we cope with grief and loss while educating us about the horrors of the Holocaust.