'65' is the Latest Dinosaur Flick in a Jurassic World
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"

By the age of twenty, Eduard Streltsov has everything one can dream of: talent, fame and love. He is the rising star of Soviet football. The whole country, with bated breath, expects victory from the national team at the upcoming World Cup where Streltsov is to face the great Brazilian football player Pelé. However, two days before the departure of the team, the sportsman’s enemies manage to destroy his career. When the door to big sport seems to be closed for good, Streltsov has to re-enter the field and prove that he is a true champion who is worth everybody’s love.
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
The July episode of Incluvie Movie Highlights provides 4 exciting films that have polarizing reviews! Special guest and Incluvie movie critic Daleyna joins in to discuss Mr Malcolm's List, a regency-era film set in England, starring leads of Indian and African heritage (Freida Pinto and Sope Dirisu), which is a first! Don't Make Me Go, starring an Asian and Blasian lead (John Cho and Mia Isaac), is a sincere film with a controversial ending! Don't worry, no spoilers. 1Up, about a team of female gamers led by Paris Berelc, who's half Asian, receives acclaim on Incluvie, but much hate everywhere else on the internet. And the feature film... is Nope ! One cohost thinks the film was imaginative, while the other cohost insists it was boring (but with good social commentary)! Who thought what? Tune in with your hosts: Cathy Yee and Hazel Bolivar!
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”