A virus eliminates all males. When a woman discovers something impossible, she risks the whole world's destruction to protect it.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
