Strawberry 

The movie behind the space toy from the 'Toy Story' film series is finally here.

Peppered with whimsical humor, heartbreaking realizations, and heartwarming discoveries, The Incomer is surprisingly endearing through and through.

Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. The film 'Shrek' can be interpreted as a transgender story.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!