An experimental portrait of a place, Scotland. You are looking for something. What you find is something else. "Stravaig / Errance" (Gaelic for wandering) is techno tourism of a personal nature. Forrest visits a Scotland that only she may show us. The artist is an informed tourist with a curious eye. The viewer is lead, but there is no sense that the artist holds to a definitive way to see/record. Travelogues are referenced in "Stravaig," but their form is never embraced. This is not tourism, but memory and sense. Forrest looks beyond the architecture and must see sights of the place(s) to unearth an ethereal essence of space/time.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
