Loursat, a lawyer, lives with his daughter Nicole in a sinister and vast bourgeois residence. Abandoned for nearly twenty years by his wife, the brilliant lawyer has sunk into alcoholism and his relationship with his daughter is virtually non-existent. However, one day the corpse of a stranger is discovered in the residence of Loursat. Nicole, who frequents a gang of young people who escape boredom by stealing cars and other objects, is immediately suspected.
Henri Decoin
Director
Raimu
Maître Hector Loursat
Juliette Faber
Nicole Loursat
Gabrielle Fontan
Fine
Héléna Manson
Madame Manu
Tania Fédor
Madame Marthe Dossin
Marguerite Ducouret
Angèle
Jean Tissier
Ducup
Jacques Baumer
Maître Gérard Rogissart
Noël Roquevert
Le commissaire Binet
André Reybaz
Émile Manu
Jacques Grétillat
Le président du tribunal des assises
As a horror buff, I was intrigued by people claiming 'The Sadness' was the most disturbing movie they've ever seen or to watch with caution. So, I finally put the internet to the test and watched it for myself... to varying results.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
Taika Waititi and the cast of Thor: Love and Thunder have been hyping up the gayness of this movie, and while there are queer characters, it's not quite the representation we were hoping for.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.