Writer and Producer Ericka Nicole Malone Talks Being A ‘Quiet Inspiration’
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.

A family seen at two different periods, some 40 years having passed between the two. A dysfunctional family marked by what used to be called an ugly illness, cancer and death. The characters quarrel, hate each other, and refuse to accept in their predecessors what they will eventually, inevitably repeat in themselves. A family marked by relations of rejection, love and hate of the other, the upstairs neighbors, those strangers from a far-off land, Andalusia in the 1960s, Morocco at present, who will also form part of this repetitive game that is life. To what point is everything a metaphor or symbol of our society? Are we really strangers to ourselves?
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.