Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Misugi Akira and his lovely companion Maria arrive in Tokyo on a special mission. It seems Akira is there to pick up Ito Kaori, whom he has known since Kaori was a child, so that she can join his and Maria's clan... of ageless vampires! But before Akira can get to the rendezvous point, the one-time doctor is distracted by a woman making a suicide attempt. Finished with that, he hurries to get Kaori only to find her dead... from a local serial killer who fancies himself to be a vampire. When one of the police detectives on the case, Saeki Shoji, starts digging into Kaori's death, the links he finds all seem to lead straight to Akira and Maria. So now the pair decide their best course of action is to try and track down the serial killer themselves as soon as possible...
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.