Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

While visiting New York, lumberman Angus MacDonald is introduced to cabaret dancer Ruth Mayo by his friend Sinclair. Their romance culminates in marriage, and soon MacDonald takes his bride back to the Northwest. Ruth grows tired of the Northwest, and MacDonald returns with her to New York, where their child is born; but his business does not permit him to remain. One night Ruth returns to the cafe, dances with her old partner, and accepts an agent's offer of a European tour. Six years later, MacDonald learns that his daughter is dancing at the same cafe, and through her a reconciliation is effected between husband and wife.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
Word of mouth has been incredible, but the film's faults cannot be ignored.
The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.