‘My Big Fat Greek Wedding 3’ Is A VICTORY For Queer Representation
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.

Algeria, 1960. A section of French paratroopers are sent in search of a missing aircraft in the Algerian desert. The wreckage of the plane is quickly located, but there are no survivors, just a suitcase stamped “Top Secret”. Stormed by enemy soldiers, the troops find refuge in a strange abandoned citadel. Despite warnings from the place’s Guardian to leave at once, they wake up the Djinns, the evil spirits of the desert .
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
The highly anticipated Marvel superhero movie of the year displays important themes of loss, loneliness, and change.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.