The End of “The End of Oak Street” is Oak Street
An attempt to capture nostalgia that unfortunately just doesn’t work

Hidden beneath the weight of societal taboos lies the story of a couple, quietly navigating their path forward. What begins as a deep, beautiful bond gradually frays, not for lack of love, but because society becomes a convenient excuse. A battle against the world can be fought when two hearts are united. But what happens when one of them, hesitantly and fearfully, sides with the very world they wish to stand against?
An attempt to capture nostalgia that unfortunately just doesn’t work
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.