Time Passing in Hog Heaven: The Pigz Brotherz Story
This indie short documentary archived the story of a staple rock band as well as an essential part of local history.

The dramatization of the Old Prague short story by the writer Ignát Herrmann is an acting concert by Jan Pivec. In this film from 1964, the actor let all registers of his mature acting sound, from outright comical positions to tones sounding with tragic undertones. And although the character of Vavřinec Konopka clearly dominates in this story, the great actor disciplinedly left enough space for his teammates, especially Jaroslav Marvan, Dana Medřická (her poisonous Petronila is an excellent figure), the modest Libuša Havelková and the bohemian Josef Kemr and everyone else. The director František Filip was actually the conductor here, who got a beautifully coordinated orchestra of soloists at his disposal... But let's go back to the century before last. Where is the dignified and rather burly official Mr. Konopka peláší? And even runs with a jet and without a hat…
This indie short documentary archived the story of a staple rock band as well as an essential part of local history.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.