Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Story of G.I. Joe poster

Story of G.I. Joe (1945)

War correspondent Ernie Pyle joins Company C, 18th Infantry as this American army unit fights its way across North Africa in World War II. He comes to know the soldiers and finds much human interest material for his readers back in the States. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2000.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


War correspondent Ernie Pyle joins Company C, 18th Infantry as this American army unit fights its way across North Africa in World War II. He comes to know the soldiers and finds much human interest material for his readers back in the States. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2000.

Rating:
Genre:Drama, War
Directed By:William A. Wellman
Written By:Philip Stevenson, Leopold Atlas, Guy Endore
In Theaters:7/13/1945
Box Office:

Runtime:108 minutes
Studio:Lester Cowan Productions, United Artists

Articles You May Like


Comedy Pilot "Bigg County Restorations" Perfectly Parodies DIY Reality TV

Bigg County Restorations is a zany new pilot from comedians Joe Bell and Mikaela Watkins. In a spot-on parody of History Channel shows like American Restoration and Pawn Stars, Paul Bigg (John Jezior) works to restore kitschy decor for celebrities while his good-for-nothing adult children, Britney (Mikaela Watkins) and Junior (Joe Bell) go on wacky adventures while slacking off on the menial tasks they’ve been assigned. In the pilot, Britney and Mikaela’s day goes off the rails pretty fast.

Jo Moses

'Jack and Diane' Review: Wasted Potential

The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.

Andrea Amoroso