Knittlingen, 1789: To escape her father's clutches, Cornelia decides to run away and buy herself a marriage that will take her to Paris, where she hopes to lead a free life. When a stranger turns up with his pregnant wife at the meeting with her future husband and invites everyone to a picnic, everything turns out differently than planned and Cornelia has to fight for her freedom once again.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
While not everyone may relate to the circumstances Danielle finds herself in in 'Shiva Baby', some are sure to understand her struggles as she is scrutinized for being a woman, a college student, an LGBT person, and a sugar baby.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
