“Leviticus” and Leviticus
Like most young people, Leviticus is imperfect. But I love it anyways.

In a tiny theatre in Aotearoa, New Zealand, four teenage stagehands work tirelessly to help Morgana tell the stories that shaped her - from her own teenagehood in 1998, to working foot-fetish parties in New York City, to falling in love and later birthing her babies in a Melbourne living room. By turns vulnerable and riotously funny, she moves from lamenting her chins to marvelling at her cellular functions, using her body as the living template for every tale she tells. Created and performed by Morgana O'Reilly (The White Lotus) and co-directed with her husband and real-life birth partner, 2025 BAFTA nominee Peter Salmon (After The Party), Stories About My Body blends nudity, heart-swelling honesty and real birth footage into a stand-up comedy special like no other - intimate, fearless and unexpectedly profound.
Like most young people, Leviticus is imperfect. But I love it anyways.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
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Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
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