“Sea Fever” Examines the Emotional Cost of Quarantine
While doing research on a fishing boat, a scientist encounters a parasite.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
While doing research on a fishing boat, a scientist encounters a parasite.
In season 2 of “Never Have I Ever," Devi make many mistakes in a messier season that explores the complex lives of its diverse cast more in-depth than before.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
The film is a powerful narrative encompassing a theme that many people can identify with.
Based on the bestselling memoir, viewers get a glimpse of the challenges of autistic people.
David Fincher is back in his playpen, with a dark and chilling thriller.