In the depths of a mysterious warehouse hidden from the outside world, an extreme experience awaits. TitanMen exclusives David Anthony, Aymeric DeVille, JR Matthews and Tibor Wolfe headline a muscular cast bursting through its latex and restraints in a sexually charged effort filled with sucking, fucking, fisting and pissing. What other secrets await in the Stockroom? Find out as directors Brian Mills and Paul Wilde play with shadows and light in this dark yet visually striking entry. Tibor Wolfe doesn't stand a chance with masters David Anthony and Spencer Reed, who feed, fuck, piss and fist the hairy hunk into submission. Muscle man Jim Ferro gets a special delivery -- a caged JR Matthews, bound and gagged for his owner's pleasure. Brought in on a forklift, Daniel Michael is driven wild by bearded captors Aymeric DeVille and Alessio Romero, who tops both of them.
It’s 5:30am. The baby’s crying, but you need to finish prepping for your big pitch at work that morning. What do you do? You do the near impossible: both. That's what "Workin' Moms" is all about.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
“Is it real? Does it exist? Of course it does," read Snyder’s tweet about his cut of ‘Justice League’. Little did we know, not only does it exist, but it is enough to fill 4 full episodes, each an hour long.
The Night Doctor achieves telling an original story in which the pace accelerates progressively while supported by dark aesthetics.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
