Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

A woman answers the phone at night. She learns something terrible has happened to her boyfriend David in Phuket. Her world collapses. Stilte na de storm visualises that single brief moment between the nocturnal phone call and the confirmation of the dreaded message. In a stream of consciousness, emotions, memories and reality sweep through her like a storm, before she realises she has lost David. Only silence remains.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
How do zombie films shine new light in the post-Covid and post-Brexit era?
An action film led by two queens, fighting for what they believe in through power and pain.