“I Care A Lot” is Subversive Anti-Capitalist Camp Brilliance
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
Ste. Anne
Renée arrives to her hometown of Ste. Anne after a long absence. Her brother and his wife are raising her daughter Athene as their own, and the return of the prodigal mother is a surprise to all involved. The tension between them grows as the questions that have been accumulating over the years await their answers.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Renée arrives to her hometown of Ste. Anne after a long absence. Her brother and his wife are raising her daughter Athene as their own, and the return of the prodigal mother is a surprise to all involved. The tension between them grows as the questions that have been accumulating over the years await their answers.
Rating:
Genre:Drama
Written By:Rhayne Vermette
In Theaters:
Box Office:
Runtime:80 minutes
Studio:Exovedate Productions
Articles You May Like
'prey' - MiamisFF Review
The story of the loss of innocence of the young prey who has been maimed by the predator. *Trigger Warning, sexual abuse and assault is discussed in this short film.
Pixar’s Objectification Obsession in “Inner Workings” and Beyond
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Why "The Watermelon Woman" is Just as Powerful 30 Years Later
This movie will always resonate with queer people, for as long as queer people exist.
Project Hail Mary Didn’t Take Off
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
The Marked Woman: Yet Another Grizzled Detective Movie
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.