“Brooklyn Nine-Nine” is Sitcom Diversity Done Right
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.

Heavy snow falls from the sky as heavily-armed guards patrol the walls of an Iranian centre of correction and rehabilitation. Inside, the girls are waiting at the food counter. Among them are underage mothers and others who are married. All of them ended up here after becoming involved in crime. Drug dealing, assault, murder. Yet instead of cold-blooded criminals we discover friendly, warm young people who laugh, sing and cry together. Their close bonds have been forged by the troubled past they share. We learn of their fears of having to return to the lives they once left behind. The documental camera is intimate but respectful, the resulting portraits are full of dignity.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
With This is Us now on its fifth season and A Million Little Things on its third, we have a lot of material to entertain the hypothetical: if these two shows got in the ring together, who would come out victorious? Despite the endless recognition for the former’s success, I dare say I’d put my money on A Million Little Things once all is said and done.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.
I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.
The Season 3 finale overall upholds everything that Incluvie is primarily concerned about when it comes to media content
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.