'A Babysitter's Guide to Monster Hunting'
This horror movie combines elements of horror and babysitting with Black representation.

In the closing days of World War II, Japanese-American Hiromi, a girl age 16, encounters an American deserter, Bob, and a Japanese soldier, Iwabuchi, living together in a cave on a small island in Okinawa. The two men are deserters from their armies; yet both vow never to harm another human being again. Hiromi looks after the deserters until another soldier appears and the peace of the cave is shattered. It leads to the death of three of them and a fascinating mystery that isn't solved until the present day.
This horror movie combines elements of horror and babysitting with Black representation.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.