Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

Semi-autobiographical TV play by Dennis Potter, from the BBC's 'Wednesday Play' series. It deals with the experiences of Nigel Barton, a young man from a poor mining community who wins a scholarship to Oxford University. The villagers accuse him of snobbery, while the rich University students treat him like a peasant. Uncertain of which sphere he should be moving in, Nigel tries to reconcile himself with his proud but stubborn father, and also succeed at University, despite its pretentions which apall him.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
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This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.