I Love You Forever—RomCom Turned Nightmare Relationship
I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.

Since 1959 at the age of five, David "The Weatherman" Wills has been recording his life, self, and anything he likes (such as the weather, toilets flushing, and intercepted cell phone conversations) and broadcasting it to anyone listening. Together with childhood friends Richard Lyons and Mark Hosler they formed Negativland, which quickly became an absurd and noisy multimedia world without boundaries, ownership or privacy. Negativland's complex chaos of plunderphonics poses both serious and silly questions about the nature of culture, media, technology, control, propaganda, power and perception in the United States of America. Is what you're hearing and seeing real or simply familiar? The medium reveals that any message is all in our heads.
I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved