Alun arrives in Glasgow to play a gig at The Edge, a comedy club run by would-be promoter Max T. Max T should be looking after Alun, but he already has his hands full trying to keep Sandy Cervi, his second cousin and business partner, from taking over the club. In a bid to sort out some 'poontang' for himself and Alun, Max invites Eva, a psychiatric nurse and her photographer friend Christina along to the gig.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
