An over-the-top homage to the shot-on-video, gore-soaked classics of yesteryear. A group of hyper-sexed, ready-to-bleed teen stereotypes decide to spend the night camping out in a haunted house on Halloween — and are sliced and diced one by one at the hands of a mysterious killer, but not before they get in plenty gratuitous nudity, unprotected sex and heavy drinking.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
