‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

After retiring in 2022, Squel Jorgea decided to return to Rio’s Carnival. A flag-bearer for over twenty years, she began her career at Grande Rio, where she danced for eleven seasons and became the first to represent both Mangueira and Portela, the two most traditional samba schools. After navigating single motherhood, she has rediscovered the physicality, movement, and strength that established her as a leading figure in the art form; she now dances a theme inspired by the book "Um Defeito de Cor", a son’s letter to his enslaved mother, a narrative that deeply resonates with her own life story. Between the silence and the beat of the drums, her dance transforms into a ritual, an act of resistance, and a celebration of Afro-Brazilian culture.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
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This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.