Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Franco lives in a rough part of Copenhagen. His hooker mother has little time for him. Franco drifts into a life of crime, repeatedly confronting the authorities. To give him a new start, he’s placed in a foster home far away from Copenhagen. His new family greets him with warm hospitality. There’s also the beautiful countryside and, last but not least, the teen-aged daughter
Eddington attempts to capture how media is intertwined with the uncomfortable present.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.
Never Have I Ever season 3 is charming and hilarious as it has been in past seasons and still sports a diverse ensemble cast. However, the show doesn’t always treat its marginalized characters that well.