Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

When six sorority sex kittens hook up for a night of carefree indulgence during spring break, they have no idea that maniacal serial killer Stanley Peterson (Curtis Taylor) has escaped from a nearby prison and is now on the prowl for fresh blood. Can they stop the madman before he notches up another half-dozen deadly conquests?
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
'Free Guy' combines classic Disney (a white heteronormative love story), exploration of popular video games and the culture around them, and Ryan Reynolds adult humor in the best way to make a super fun family flick.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
"Warrior" is a Bruce Lee written and inspired story that follows a diverse cast of Chinese American characters and does a terrific job of setting the story in 1878 San Francisco - all without pulling their punches with the systemic racism, discrimination, and struggle for power that old and young immigrants that crossed the country at that time had to go through.