"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

Thirteen years after his death, the great Yossi Banai comes to life for one final encore. A cinematic memoir pieced together from numerous archival materials - films, plays, radio shows, songs and stage performances - this personal documentary is led by Banai's deep iconic voice. An actor, singer, writer and director, Banai represented the pure essence and contradictions of Israeli culture: an atheist from a religious family, a native that insisted on importing European motives and a consensual Israeli figure that wasn't afraid to take a political stand. From childhood to death, through love, family and life on the stage, Yossi Banai directs the spotlight on to his own image.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.