A genre-blending contemporary western—a Fellini-inspired musical about a queer woman comin’ back at high-noon after her mysterious disappearance, hell-bent on reuniting with her love, so together they can escape the suffocating small-mindedness of their home town. Dina’s whirlwind nature unleashes the congregation into an electrifying spiritual renewal. But when the emergence of torrid secrets of sexual violence and pregnancy without options threatens their getaway, Dina and Bev’s relationship is tested as they discover that even as we brokenly rip one another to shreds, each of us is aching to know love, forgiveness…and goddammit, a little bit of grace.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
Despite being an over-talked-about piece of media, 'Euphoria' has some interesting articles about it with personal angles that oppose the average tendency to be generic.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
