The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

When Marina finally calls Gideon, he can’t believe his luck in hopeful love. But his happiness is short-lived. Marina only wants Gideon to pretend to be her boyfriend so she can investigate a séance as an undercover reporter. It turns out that Gideon and Marina aren’t the only ones with something to hide. Ramona, the not-so-typical medium, suspects there are hidden cameras and her creepy sidekick Errol keeps disappearing when the lights go out. Something’s unsettling about Marina’s editor, Trevor, and his timid wife, Helen. A dead woman’s daughter, Lily, is an unbalanced mess, and her boyfriend, David, is less of a rock and more of a stoner. When the séance turns south, a mournful spirit will ensure all of their buried secrets are brought to light.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
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