Evil in the Home of an Influencer
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.

A hate crime on the campus of a New England college puts the school's dean (Parker) in a position where she has to examine her own feelings about race and prejudice, while maintaining her administration's politically correct policies.
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
SPOILERS AHEAD. Sweet Sweetback's Baadasssss Song distinguished itself from Hollywood films of its time by introducing New Wave cinema storytelling methods into Black cinema.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!