Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

This is a story about the boy who always living a life under surveillance from his father. In the boy's mind, his father is definitely a mercurial controller, but he had no idea how to get rid of him. The father also kept a spider as a pet, because he knew his son always being afraid of spiders. One day, the spider got disappear, and the boy started facing the inner fear. The spider tookthe boy to its own world, which gave the boy an idea to make a trap. At the end, the boy became a spider who fettered his father in his own territory.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.