'The Invisible Man' (2020)
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.

This horror omnibus focuses on the fears that creep into the crevices of the mind that sprout in everyday life. A young boy is left alone by his mother and leads a lonely life. He is about to cry when he drops some coins for lunch, when a beautiful woman in the next room calls out to him.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
"Warrior" is a Bruce Lee written and inspired story that follows a diverse cast of Chinese American characters and does a terrific job of setting the story in 1878 San Francisco - all without pulling their punches with the systemic racism, discrimination, and struggle for power that old and young immigrants that crossed the country at that time had to go through.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Disney has long since had a reputation for creating underwhelming sequels. Is Zootopia 2 any different?