“Dangerous Lies” is as Predictable as Can be
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

A love story, horror film, or perhaps a comedy, Spin! explores the extremes of consciousness arising from unmediated contact and intimacy with our manufactured ecology. Shot entirely in the first person, the film abandons the strictures of plot to focus instead on the lightness and gravity of a subject’s fleeting relationships with plumbing fixtures, clocks, spectators, vending machines, rabbits, dustbins, directional signs, guards, hand dryers, and with the two cities of dreams—Los Angeles and New York—which feature not merely as backdrops, but as main characters in their own right. Sustained throughout by Welch's Apple Juice, our bandaged entity is someone you’ll find disconcertingly familiar if you manage to spin around to look at yourself.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
‘A Good Person’ makes it clear that forgiveness is hard.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.