Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

Salvo, a Sicilian fisherman, is devastated by the tragic death at sea of his child during a bath at the "glass beach" and to escape the unbearable pain he leaves his village and goes to work far away as a offshore welder on an oil platform. When he receives news of his father’s stroke, he returns to Sicily to sell his father’s house with the idea of using the proceeds to obtain shared custody of his daughter in Calabria. But here his life will change again thanks to the activities of the catwalks that cross the Strait and the presence of people and unexpected affections, in the landscape of the coasts and villages of Messina and Villa San Giovanni.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.