Polarizing Polar: An Exploitation Film For the Modern Viewer
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
Specialist 4
Yoshito (Tsuyoshi Kusanagi) becomes famous in Kyoto because of his ability to solve cases. The special investigation unit receives a request to investigate a case revolving around the kidnapping of a costumed performer. He plays a non-official character of the Arashiyama area, located on the western outskirts of Kyoto. Nobody takes the kidnapping case seriously, but Yoshito says the case could be real and it might be related to a crowdfunding site.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Yoshito (Tsuyoshi Kusanagi) becomes famous in Kyoto because of his ability to solve cases. The special investigation unit receives a request to investigate a case revolving around the kidnapping of a costumed performer. He plays a non-official character of the Arashiyama area, located on the western outskirts of Kyoto. Nobody takes the kidnapping case seriously, but Yoshito says the case could be real and it might be related to a crowdfunding site.
Rating:
Genre:Crime, Thriller
Written By:Masashi Todayama
In Theaters:
Box Office:
Runtime:108 minutes
Studio:TV Asahi
Articles You May Like
‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
“Birds of Prey” and the Fantabulous Emancipation from the DCEU
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
"Mile End Kicks": Filled With Nostalgia, But Was Not Memorable
Released on Netflix this last July, Mile End Kicks, catches the eyes of those who are wanting to escape the disasters of 2026 and visit the era of peak Tumblr, unforgettable music hits, and iconic fashion trends—-of 2011. This coming-of-age film directed by Chandler Levack succeeds at portraying an accurate representation of what life was like in the early 2010’s.
Why "People We Meet On Vacation" Did Not Meet Its Full Potential
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.