‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

An elite team of six female rookie police recruits fails to graduate as they resist to retreat in the final test when the situation gets out of hand. But their eminence provides them with another opportunity – “The Rafflesia”, a special female force that was disbanded 25 years ago when the mission failed, which is now looking for new blood to resume operation. Their first mission is to capture the notorious triad leader “President”, who caused the disbandment of “The Rafflesia” 25 years ago. He takes hostage of medical scientist Yoshida for his knowledge in virus to threaten different countries and ultimately plot a physical robbery. Eager to become real police officers, the girls accept the offer despite the level of danger involves.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.