Gods of Mexico, an Artistic Triumph that Eschews Narrative
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.

En route to a museum, a pair of cultured and frisky guys happen upon a mysterious house populated by ghosts of Flamenco past. Soon the living and the dead are engaged in gay carnality.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
The second film takes us on Peter's journey to be understood.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?