Teacher Jochem sticks to the plan he has drawn up for the week-long study trip - in teams, the students will complete various assignments, the highlight of which will be a survival drop at the end of the week. Jochem tries to motivate the students, but has a hard time of it. Their tangled web of contradictory interests is not good for harmonious cooperation. Jochem has been over-optimistic in this respect and very soon the students' own agendas are revealed.
Diede in 't Veld
Director
Chems Eddine Amar
Nassim Gharbi
Gaby Blaaser
Jolé van Haagendoorn
Roos Smit
Lana van Hamel
Titia Hoogendoorn
Fay Picaroon
Kimberley Klaver
Annabella Vermeulen
Fatma Genç
Irmak Sertkaya
Jasper Gottlieb
Flip van Hamel
Marius Gottlieb
Tobias van Hamel
Judy Doorman
Madge Johnson
Sebastian Wulff
Luxor de Haan
Jeffrey Hamilton
Koen van Wageningen
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
This horror movie combines elements of horror and babysitting with Black representation.
A legacy based on the comic strip for old and new fans of Peanuts.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.