Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

From a galaxy further than far, far away, comes a movie of solar proportions with a stella soundtrack. Tyler hates life - his rock band are going nowhere, the world is collapsing and girls don't take him seriously. BUT all of that is about to change when a sexy space siren seeks Tylers singing to snuff out the growing stream of violence. Adding fuel to the fire is Freaky Fiend fixed on frying our planet - it's up to Tyler and his musical troupe to turn the tables and restore the name of rock and roll.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.